NYC II

He is a purely abstract painter, rich in technique, virtuous and impeccable. Their sources are very diverse. The visual journey through his painting is mixed everywhere. He touches everything, the graphite, watercolours, pastels and charcoals, as well as the wounds with tracing or posed with all kinds of tools created by himself. Add collage of silks of different colours and paint where equally nothing leaves the margin. Use marble bases with acrylics, varnishes, oils and enamels, where his game of hurting the paint with dry tips or metal brushes always return the question of how to assimilate such amount of visual information that his painting has. The chromatic palette is of opposites in light and dark. Primal neutrals of earth, oxides and varnishes, leaving in a compositional plane blacks both whole and washed.

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